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 Houston's Weekend Planning Guide
( is a Targeted Premium Event Listings Journal/Calendar

October 31st, 2021

Weekend Sundays is updated continuously

@Houston Arena

Sunday 10/31/2021 8:00 PM
Doors Open 7:00 PM

The Buenos Aires, Argentina singing duo (siblings) Joaquín and Lucía Galán, better known as Pimpinela (Spanish for pimpernel) make their way to southwest Houston in concert at the Arena Theatre. The two are famous for singing romantic musical pieces. They have sold over twelve million records in Argentina and a total of eighteen million worldwide, making them one of the best-selling Latin music artists in South America.

The two share vocals and co-writing credits on many of their songs, which blend Latin pop with the influence of musical theater and telenovelas. With over a dozen albums to their credit (not even counting compilations), the Galáns show no signs of slowing down in the new millennium.

Purecane in 2014 reviewed the two as, "known for their signature formula of presenting songs that essentially serve as three ½ minutes of pure melodrama. They play the roles of couples in distress, exploring such themes as loneliness ("Me Hace Falta Una Flor") and betrayal ("Una Estupida Mas"). The lyrics are often sung-through dialogues: "Who is it?" Lucia croons, while Joaquin urgently responds, "It's me!" continues to say, Pimpinel sings, "Las Canciones de Tu Vida," or the songs of your life.

Last December Pimpinela released the single "2020: El Año Que Se Detuvo el Tiempo", the lyrics reflect on the emotional impact of the COVID-19 Pandemic that had been going for a full year at the time of release.

Houston Arena Theatre
Arena Towers
7326 Southwest Fwy
Houston, TX 77074
Directions (Map
(713) 772-5900

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Weekend Event



Elevation Nights
With Elevation Worship
and Steven Furtick
@Toyota Center

Sunday 10/31/2021 7:00 PM

This weekend at Toyota Center itsElevation Nights. This new tour featuring Elevation Worship and Steven Furtick will bring the powerful worship experience of Elevation Church to Houston. Elevation Nights is focused to lift your spirits with a message of faith, hope and love.

Elevation Worship is the worship ministry of Elevation Church, a multisite church based in Charlotte, N.C. led by Pastor Steven Furtick. Elevation Worship has produced 12 albums that include American Christian radio no. 1 song “Graves Into Gardens”, the RIAA Gold Certified song “The Blessing”, RIAA Platinum Certified and American Christian radio Top 5 song “O Come to The Altar” and the RIAA Gold Certified song “Do It Again.” The group currently has ten songs in the CCLI Top 100 list. This ministry is passionate about producing songs for the local church that connect others to God. Their main priority is to create an atmosphere of worship so people can encounter Jesus in a real and personal way. Elevation Worship’s newest album Old Church Basement, a live album collaboration with Maverick City Music, releases April 30, 2021.

COVID-19 Protocols For This Show:
For ticket holders attending this event, masks are strongly encouraged but not required. The tour promoter is not requiring ticket holders to provide proof of vaccine for COVID-19 or a negative COVID-19 test to attend this event. Ticket holders will receive more information via email if there are updates to these protocols.

Toyota Center
1510 Polk Street
Houston, Tx  77002
Directions (Map)

Attila, Jynx, Dead Crown
Great White Fire
Warehouse Live
The Ballroom

Sunday 10/31/2021 6:30 PM
Doors Open 6:00 PM

The metalcore band Attila from Atlanta, Georgia is the featured group this Halloween weekend at Warehouse Live.

This year they released a new song titled "Clarity" as the lead single from their ninth studio album Closure. That album also included "Metalcore Manson" as the 2nd single from Closure.
Also at the ballroom will be Jynx, Dead Crown and Great White Fire. Happy Holloween everybody.

The Warehouse that same evening in The Studio will be presenting Hobo Johnson and The Love Makers starting at 6:00 PM. The show they tell Weekend House has sold out.

Warehouse Live
813 St Emanuel Street
Houston, TX 77003
Directions (Map)
(713) 225-5483

The Kendall
Moore Quintet
DACAMERA Young Artists Jazz Trio
@Discover Green

Free Concerts

Sunday 10/31/2021 4:00 PM

Discovery Green is partnering with Buffalo Bayou Partnership, Emancipation Park Conservancy and DACAMERA this fall to celebrate the legacy of jazz in Houston.

Jazzy Sundays in the Parks is a free live music series made possible by the Kinder Foundation.



The Kendall Moore Quintet — The Kendall Moore Quintet is an ensemble comprised of some of the best emerging and seasoned improvising musicians in the Houston and New Orleans Metropolitan regions. Trombonist, composer, and arranger Kendall Moore is joined by tenor saxophonist Zahria Sims, guitarist Greg Petito, bassist Tim Ruiz, and drummer Gavin Moolchan in their debut performance. This group will be featuring original compositions and fresh perspectives on arrangements of great modern jazz standards and music from the American Songbook.


 The Jalen Baker Trio, DACAMERA Young Artist Jazz Ensemble-in-Residence — Featuring Jalen Baker, vibraphone; with Nils Aardahl on bass and Gavin Moolchan on drums. The members of the trio are the first emerging Houston-based jazz musicians to join DACAMERA’s Young Artist Program, which seeks to encourage musicians to develop the skills necessary to become passionate, forward-thinking and community-focused “citizen artists.” Jalen Baker is a graduate of Kinder HSPVA. He studied at Columbia College Chicago and Florida State University before returning to Houston to compose and perform his unique blend of original modern jazz compositions and standards. Nils Aardahl is a student at Rice University’s Shepherd School of Music, and is an active member of the Houston jazz community.

Houston native Gavin Moolchan is an active drummer and artistic collaborator around the region.

Discovery Green

1500 McKinney Street
Houston, TX 77010
(713) 400-7336
Directions (Map)

Houston Texans
vs. Los Angeles Rams
NFL Football at NRG Stadium.
More info at
Sunday October 31, 2021 12:00 PM
NRG Stadium
8400 Kirby Drive
Houston, TX 77054
Directions (map)

Houston Dynamo
vs. Colorado Rapids
Major League Soccer at BBVA Stadium
More info at
Sunday October 31, 2021 2:30 PM
2200 Texas Avenue
Houston, TX 77003
Directions (map)

Houston Symphony
Symphonie Fantastique
@Jones Hall

Sunday 10/31/2021 2:30 PM

From cackling witches to crashing guillotines, Berlioz’s mind-bending Symphonie fantastique is classical music’s wildest ride—and it’s especially appropriate for Halloween weekend!

The beloved opera Carmen features some of the most popular and iconic themes in classical music, and you’ll hear them all in Sarasate’s Carmen Fantasy, performed by the Symphony’s outstanding Principal Flute, Aralee Dorough. This program also features Samuel Coleridge-Taylor’s lavishly melodic Symphonic Variations on an African Air, based on the African American spiritual I’m Troubled in Mind.

Jones Hall
for the Performing Arts

615 Louisiana St.
Houston, TX

Weekend Sunday Reads

Stories Worth Weekend Reading

The Taliban’s Return
Is Catastrophic for Women

As a photojournalist covering Afghanistan for two decades, I’ve seen how hard the country’s women have fought for their freedom, and how much they have gained. Now they stand to lose everything.

One morning in the summer of 1999, Shukriya Barakzai woke up feeling dizzy and feverish. According to the Taliban’s rules, she needed a Maharram, a male guardian, in order to leave home to visit the doctor. Her husband was at work, and she had no sons. So she shaved her 2-year-old daughter’s head, dressed her in boys’ clothing to pass her off as a guardian, and slipped on a burka. Its blue folds hid her fingertips, painted red in violation of the Taliban’s ban on nail polish. She asked her neighbor, another woman, to walk with her to the doctor in central Kabul.

 Around 4:30 p.m. they left the doctor’s office with a prescription. They were heading toward the pharmacy when a truckload of Taliban militants from the Ministry for the Propagation of Virtue and Prevention of Vice pulled up beside them. The men regularly drove around Kabul in pickup trucks, looking for Afghans to publicly shame and punish for violating their moral code.
. . .read more at The Atlantic click here

Low Pay, No Benefits
Rude Customers:
Restaurant Workers
Quit At Record Rate

Heard on All Things Considered
This week Monday July 20, 2021

Awooden spoon gliding over cast iron. Barely tall enough to see over the stove, Lamar Cornett watched his mother, a cook, make his favorite dish of scrambled eggs.

That first cooking lesson launched a lifelong journey in food. Cornett has spent over 20 years in Kentucky restaurants, doing every job short of being the owner. The work is grueling and tense but rewarding and rowdy, and so fast-paced that the pandemic shutdown was like lightning on a cloudy day.

"It was almost like there was this unplanned, unorganized general strike," Cornett said.

Cornett, off work for a few weeks, realized he received enough money through unemployment benefits to start saving .  . .

In those rare quiet moments, millions of restaurant workers like Cornett found themselves thinking about the realities of their work. Breaks barely long enough to use the restroom or smoke a cigarette. Meals inhaled on the go. Hostile bosses, crazy schedules and paltry, stagnant pay.

To top it off: rude customers, whose abuses restaurant staff are often obligated to tolerate. And lately, testy diners have only gotten more impatient as they emerge from the pandemic shutdowns.

Cornett, off work for a few weeks, realized he received enough money through unemployment benefits to start saving — for the first time. He wondered if the work he loves would ever entail a job that came with health insurance or paid leave.

. . . listen or read more @ click here

Weekend Sunday Read

Nicole Krauss’s Beautiful Letter to Van Gogh on How to Break the Loop of Our Destructive Patterns

By Maria Popova
From Brain Pickings

“Bravery is always more intelligent than fear, since it is built on the foundation of what one knows about oneself: the knowledge of one’s strength and capacity, of one’s passion.”

 These patterns of belief — about who we are, about who others are, about how the world works — come to shape our behavior, which in turn shapes our reality, creating a loop that calls to mind physicist David Bohm’s enduring wisdom: “Reality is what we take to be true. What we take to be true is what we believe… What we believe determines what we take to be true.”

“Feeling helpless and confused in the face of random, unpatterned events, we seek to order them and, in so doing, gain a sense of control over them,” the great psychiatrist Irvin D. Yalom wrote in his magnificent meditation on uncertainty and our search for meaning. But as our terror of losing control compels us to grasp for order and certainty, we all too often end up creating patterns that ultimately don’t serve us, then repeat those patterns under the illusion of control.

To keep repeating a baleful pattern without recognizing that we are caught in its loop is one of life’s greatest tragedies; to recognize it but feel helpless in breaking it is one of our greatest trials; to transcend the fear of uncertainty, which undergirds all such patterns of belief and behavior, is a supreme triumph.

"But as our terror of losing control compels us to grasp for order and certainty, we all too often end up creating patterns that ultimately don’t serve us, then repeat those patterns under the illusion of control."

That triumphant transcendence of the pattern is what novelist Nicole Krauss explores in an exquisite response to Vincent van Gogh’s 1884 letter to his brother about fear and risk-taking. Her piece is part of an exhibition by the Van Gogh Museum in Amsterdam, in which twenty-three contemporary artists and writers respond to the letters of Van Gogh in paintings, sculptures, letters, poems, photographs, and videos.
 . . .more @Brian

The 60-Year-Old Scientific Screwup That Helped Covid Kill

By Megan Molteni

All pandemic long, scientists brawled over how the virus spreads. Droplets! No, aerosols! At the heart of the fight was a teensy error with huge consequences.

Early one morning, Linsey Marr tiptoed to her dining room table, slipped on a headset, and fired up Zoom. On her computer screen, dozens of familiar faces began to appear. She also saw a few people she didn’t know, including Maria Van Kerkhove, the World Health Organization’s technical lead for Covid-19, and other expert advisers to the WHO. It was just past 1 pm Geneva time on April 3, 2020, but in Blacksburg, Virginia, where Marr lives with her husband and two children, dawn was just beginning to break.

Marr is an aerosol scientist at Virginia Tech and one of the few in the world who also studies infectious diseases. To her, the new coronavirus looked as if it could hang in the air, infecting anyone who breathed in enough of it. For people indoors, that posed a considerable risk. But the WHO didn’t seem to have caught on. Just days before, the organization had tweeted “FACT: #COVID19 is NOT airborne.” That’s why Marr was skipping her usual morning workout to join 35 other aerosol scientists. They were trying to warn the WHO it was making a big mistake.

Acer TravelMate. Just In. Going Fast!

Over Zoom, they laid out the case. They ticked through a growing list of superspreading events in restaurants, call centers, cruise ships, and a choir rehearsal, instances where people got sick even when they were across the room from a contagious person. The incidents contradicted the WHO’s main safety guidelines of keeping 3 to 6 feet of distance between people and frequent handwashing. If SARS-CoV-2 traveled only in large droplets that immediately fell to the ground, as the WHO was saying, then wouldn’t the distancing and the handwashing have prevented such outbreaks? Infectious air was the more likely culprit, they argued. But the WHO’s experts appeared to be unmoved. If they were going to call Covid-19 airborne, they wanted more direct evidence—proof, which could take months to gather, that the virus was abundant in the air. Meanwhile, thousands of people were falling ill every day.

 . . .read more

Why the Tomato Was Feared in Europe
for More Than 200 Years
How the fruit got a bad rap from the beginning.

by K. Annabelle Smith

In the late 1700s, a large percentage of Europeans feared the tomato.

A nickname for the fruit was the “poison apple” because it was thought that aristocrats got sick and died after eating them, but the truth of the matter was that wealthy Europeans used pewter plates, which were high in lead content. Because tomatoes are so high in acidity, when placed on this particular tableware, the fruit would leach lead from the plate, resulting in many deaths from lead poisoning. No one made this connection between plate and poison at the time; the tomato was picked as the culprit.

Around 1880, with the invention of the pizza in Naples, the tomato grew widespread in popularity in Europe. But there’s a little more to the story behind the misunderstood fruit’s stint of unpopularity in England and America, as Andrew F. Smith details in his The Tomato in America: Early History, Culture, and Cookery. The tomato didn’t get blamed just for what was really lead poisoning. Before the fruit made its way to the table in North America, it was classified as a deadly nightshade, a poisonous family of Solanaceae plants that contain toxins called tropane alkaloids.

One of the earliest-known European references to the food was made by the Italian herbalist, Pietro Andrae Matthioli, who first classified the “golden apple” as a nightshade and a mandrake—a category of food known as an aphrodisiac. The mandrake has a history that dates back to the Old Testament; it is referenced twice as the Hebrew word dudaim, which roughly translates to “love apple.”

. . . more

On the Link Between Great Thinking
and Obsessive Walking
From Charles Darwin to Toni Morrison
Jeremy DeSilva Looks at
Our Need to Move

Charles Darwin was an introvert. Granted, he spent almost five years traveling the world on the Beagle recording observations that produced some of the most important scientific insights ever made. But he was in his twenties then, embarking on a privileged, 19th-century naturalist’s version of backpacking around Europe during a gap year. After returning home in 1836, he never again stepped foot outside the British Isles.

He avoided conferences, parties, and large gatherings. They made him anxious and exacerbated an illness that plagued much of his adult life. Instead, he passed his days at Down House, his quiet home almost twenty miles southeast of London, doing most of his writing in the study. He occasionally entertained a visitor or two but preferred to correspond with the world by letter. He installed a mirror in his study so he could glance up from his work to see the mailman coming up the road—the 19th-century version of hitting the refresh button on email.

.. . more @Literary

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