From Lincoln Center Theater that brought the world, The King & Iand South Pacific, comes “a sumptuous new production of the most perfect musical of all time” (Entertainment Weekly), 
Lerner & Loewe’s MY FAIR LADY. Director Bartlett Sher’s glowing production is “thrilling, glorious and better than it ever was” (New York Times). “Every so often a revival comes along that reminds you how indispensable great theater can be” (NY1).
Austin's Spazmatics with their "Ultimate New Wave 80's Show" makes it way to Scout Bar this weekend.
Texas Country Magazine.com back in 2017 summed up the nostalgia group this way, "The Spazmatics are High Energy 80’s rock meets Revenge of the Nerds! They combine precise choreography, quick-
witted humor and the biggest hits from the 80’s together for a show that brings smiles for miles to large crowds all over Texas. The Spazmatics play well over 200 shows a year mainly in Texas, but have traveled out of the country many times for public and private events. Based out of Austin, Texas, since 2005, they have played thousands of club gigs, weddings and private events for organizations such as the NFL, Google, Lance Armstrong Foundation, Motorola, Big Brothers and Big Sisters of America and on and on. The band members are: Zeek -Lead Vocals; Joey - Bass Guitar; Bjorn - Lead Guitar; and Ralphie - Drums."
El Tri's songs cover a wide variety of subjects. Their songs are written to reflect the personal experiences of founder Alex Lora, but frequently topics for songs are suggested by fan request. In an interview 
with Hispanic music website batanga.com in 2006, Alex Lora said, "the fans, they tell me, 'Hey, write the song of the Pope! Hey, write the song of Che Guevara! Write the song of truck drivers, write the song of taxi drivers, of how it would be if Mexico won the soccer World Cup, write the song of prostitutes...'" and he complies, so that their audience may "feel they wrote it themselves"
Dennis Dotson has been a professional trumpeter for over fifty years, having begun his career playing 
in Houston, Tx. while attending college at Sam Houston State College in Huntsville, Tx., where he studied trumpet with Kit Reid and Fisher Tull and composition with John Butler.
This weekend Dotson is home at Cezanne with club owner tenor-saxophonist, Woody Witt.
He has played in the house bands in Las Vegas and free- lanced in New York City and Houston, where he now lives. He was trumpet soloist in the Woody Herman and Buddy Rich big bands and as a small group player has performed alongside Joe Lovano, Joe Henderson, Marvin Stamm and David Liebman, among others, He has performed in big bands with such as Carl Fontana, Bobby Shew, Tom Harrell, and Kenny Wheeler. He is jazz trumpet instructor at the University of Texas at Austin and was formerly on the faculty at Houston Community College and the University of Houston. He has led several All-Region high school jazz bands and has been a guest soloist/ adjudicator/clinician at over forty high schools and colleges. He is very active as a trumpet player in jazz and commercial circles throughout the state of Texas, has performed with the Houston Symphony Orchestra, and has been a sideman on numerous jazz recordings.
As a tenor-saxophonist, Woody Witt has recorded over 30 CDs as a sideman and led 12 CDs of his own (Woody Witt, Square Peg Round Hole, Live at Cezanne’s, A Conversation, Willows, Seasons Ago, First Impression, Pots and Kettles, Absinthe: The Music of Billy Strayhorn, Presence, Made in Taiwan, Live at Cezanne). He has collaborated with such major jazz artists as trumpeters Randy 
Brecker, Tim Hagans and Jim Rotondi, saxophonists James Moody, David Liebman and Tim Armacost, trombonist Conrad Herwig, pianists Joe LoCascio, Larry Ham and Mark Levine, drummers Louis Hayes, Adam Nussbaum, Billy Hart, and singers Nancy King and Gabrielle Stravelli, has worked with the Houston Symphony, and has been featured on major third-stream works that blend together jazz and classical music. The winner of the 2010 Chamber Music America French American Cultural Exchange grant and the 2014 International Jazz Saxophone Competition in Taiwan, Woody has been the booker and artistic director of Houston’s top jazz club, Cezanne, since 1999 and now is the owner of the club, as it moves to a new location.
It was sometime around 1962 Rock/Blues musician Eric Patrick Clapton became familiar with the American music blues genre says his bio. This weekend he at Toyota Center.
"The blues also meshed perfectly with his self-perception as an outsider and of being “different” from other people. Sometime in 1962, he asked for 
his grandparents’ help in purchasing a £100 electric double cutaway Kay (a Gibson ES-335 clone) after hearing the electric blues of Freddie King, B.B. King, Muddy Waters, Buddy Guy, and others.'
With more than 50 years of touring under his belt, Eric has played in excess of 3,000 concerts. He has given concerts in 58 countries across six continents and played to over 2 billion people. Since 1964, he has appeared at London’s Royal Albert Hall more than 200 times. Between 1987 and 1996, he held annual residencies at the venue which reached their peak in 1991 with 24 nights that featured five different band formats including a full orchestra. Across the Atlantic, he has graced the stage of Madison Square Garden more than 50 times since 1968.
