It was in 2015 Bridgers told Chuck Armstrong of Diffuser.fm, "When I was in high school, I kind of went down YouTube and Wikipedia lane and was reading up on all of these different serial killers.", she went on to say during the interview, "It really freaked out someone I was with. It really 
freaked him out. I was thinking about [Jeffrey] Dahmer, in particular, because he was really well-spoken. That kind of freaked me out. Everyone else was manic and crazy, but he was so well-spoken and smart. When you’re looking at him, you’re like, “What the f---?” He ate little children. Why am I forgetting that in the half second that I heard him talk? It’s crazy. I’m like, “Who in my life is like that?” It could be anybody, you know what I mean? That was the idea, it’s just f---ing terrifying. It’s crazy that it seemed like he could be a totally normal guy."
Last fall, Bridgers released her debut album Stranger in the Alps. The album was produced by Tony Berg and Ethan Gruska.
In Europe, London specifically the website Musicomh.com reviwews the album this way:
There’s a gh
ostly quality from the opening note of Smoke Signals which grabs the attention straight from the start. Like many of Bridgers’ songs, it’s a hushed, contemplative ballad with the singer’s world-weary voice reflecting on the deaths of David Bowie and Lemmy, before namechecking The Smiths song How Soon Is Now. It’s the sort of song that pulls you into an album and demands, in its own very quiet way, that you hear some more.
