He is considered one of the most popular figures in Arabic music and is often called The King of Romance or simply The King. In a career spanning over 25 years, he has become a Lebanese icon through his romantic song
s.
Wael attempted his first shot at singing in the 1990s on the famous LBC talent show, Studio Al Fan. He won the title of best singer. His first record deal was with Music Box. His first hit was the song "Ma Wa'adtak Binjoom El Lail", followed by "Shafouha Wa Saro Ye'olou". He released several albums afterwards, the most notable of which were "Hekayet Aasheq" and "Sa'alouni". After joining the army, his albums dropped in sales (due to his absence from the scene). However, he made a great comeback in 2002 with his album "Omri Kello".
Those who have followed BoDeans’ remarkable 30-year musical career know that their blend of compelling songs and high energy performances have retained an unpretentious rock & roll loyal 
following like no other. BoDeans is best known for their catchy single, “Closer To Free,”. The band’s accessible adult alternative sound has led to many a milestone, including a Rolling Stone Reader’s Poll for Best New American Band in 1987, and support slots with U2, Bob Dylan, Paul Simon, Tom Petty, George Thorogood, The Pretenders, David Bowie and numerous others.
La bohème is based on Henri Murger's novel, Scènes de la vie de bohème, a collection of vignettes portraying young bohemians living in the Latin Quarter of Paris in the 1840s. Although usually called a novel, it has no unified plot. Like the 1849 play by Murger and 
Théodore Barrière, the opera's libretto focuses on the relationship between Rodolfo and Mimì, ending with her death. Also like the play, the libretto combines two characters from the novel, Mimì and Francine, into the single character of Mimì. Early in the composition stage Puccini was in dispute with the composer Leoncavallo, who said that he had offered Puccini a completed libretto and felt that Puccini should defer to him. Puccini responded that he had had no idea of Leoncavallo's interest and that having been working on his own version for some time, he felt that he could not oblige him by discontinuing with the opera. Leoncavallo completed his own version in which Marcello was sung by a tenor and Rodolfo by a baritone. It was unsuccessful and is now rarely performed.
