FLAS and Grupo de Teatro Índigo (Indigo Theater Group) return for their third consecutive year this 2022 with the traditional Day of the Dead play, “Calavera con Calavera” (Skulls); an original piece written Índigo’s by co-founder, Eddie Gonzalez, to celebrate its 9th anniversary, at Miller Outdoor Theater, continuing to make history being the first local theater group with Latino to present an all-
Spanish play (With English subtitles).
Synopsis: It’s Day of the Dead, and the Burgos Family is getting ready to celebrate this important date, a yearly tradition in Hacienda Calvario where they get together to solemnize this festivity. Mystery and secrets ensue as the family brings drama to the table while learning the value of life. The Burgos manage to teach us the meaning of every element presented, why altars are made and what objects can decorate them, the food that is eaten, the traditional “calaveritas” (verses that rhyme), and La Catrina (Death) roams around, reminding us that life is beautiful and that we need to take advantage of it.
(From All Music.com-Stephen Thomas Erlewine) Chris Stapleton appeared to be one of those overnight storybook sensations: a troubadour who came out of nowhere to become a major star in the autumn of 2015 on the strength of his debut album, Traveller. Like most overnight sensations, Stapleton had a long, hard road behind him. He had been laboring behind the scenes in Nashville for years, 
leading the progressive bluegrass group the SteelDrivers and working as a professional songwriter, scoring hits with George Strait ("Love's Gonna Make It Alright"), Kenny Chesney ("Never Wanted Nothing More"), Luke Bryan ("Drink a Beer"), and Darius Rucker ("Come Back Song"). These tunes just scratched the surface of Stapleton's résumé: Brad Paisley, Luke Bryan, Dierks Bentley, and Tim McGraw all recorded his songs, as did Adele, who cut "If It Hadn't Been for Love" as a bonus track for her 2011 smash 21. All these covers signaled a deep reservoir of goodwill within the industry for the songwriter, and this goodwill bubbled to the surface in the fall of 2015, when he took home three major trophies at the Country Music Association Awards: Best Male Vocalist, Album of the Year, and New Artist of the Year.
(From All Music.com-Andy Kellman) An R&B outlier, Lyfe Jennings has set himself apart as a self-produced singer and guitarist who balances love songs with acute societal observations, wisdom regarding day-to-day life and romance, and 
unflinching reflections on his personal struggles. Since achieving takeoff at Harlem's Apollo Theater, Jennings has hit the upper reaches of the R&B/hip-hop chart every two or three years with albums such as Lyfe 268-192 (2004), the gold-certified The Phoenix (2006), and Lyfe Change (2008). His third LP of the 2010s, 777 (2019), was promised to be his final statement.
Wisin & Yandel are revered artists who have achieved continuous success in their solo careers, yet as a Latin music duo they have enjoyed unparalleled success. During their 19-year career as a duo, they 
have received numerous multi-platinum certifications in the United States and Latin America and several prestigious awards, including a GRAMMY® and two Latin GRAMMYs®, as well as ten Billboard Latin Airplay chart-toppers. On tour, Wisin & Yandel have proven to be a force like no other in the urban music world.
