Through his relentlessly punchy writing and expert delivery, Mark Normand is quickly becoming one of the most talked about comedians on the scene. He most recently self-released a one-hour special “Out To Lunch” on YouTube, which has quickly amassed over 1.2 million views. An extremely prolific stand-up, he previously had a one-hour and a half hour Comedy Central special and has made an unparalleled 
seven appearances on “Conan,” three appearances on “The Tonight Show with Jimmy Fallon,” and one appearance on both “The Late Show with Stephen Colbert” and “The Late Late Show with James Corden.” Mark can also be heard on his multiple appearances on “The Joe Rogan Experience,” dubbed by Jerry Seinfeld as the “best young up and coming comic,” or on his own podcast “Tuesdays with Stories.”
Born and raised in New Orleans, surprisingly to two normal parents, he spent most of his childhood making short films and wetting the bed.
If you are a fan of 80's popular electronic music this weekend at Houston's HOB its "Strangelove: The Depeche Mode Experience". :Depeche Mode" rose to prominence in the early 80's in Europe 
and Australia. In the United States, the band's music first gained notoriety on college radio and modern rock stations formats. Some music industry commentators suggest the band's style was push back on "soft rock and 'disco hell" music formats developed during that time.
The promotional folks of the band say "Strangelove-The Depeche Mode Experience" delivers a career spanning, pitch perfect “best of” concert that transports the listener through time and touches on key points in Depeche Mode’s illustrious career. Songs from throughout the Depeche canon are lovingly recreated; from favorites on DM’s debut Speak and Spell to the newest fare from ‘Mode’s latest- 2017’s “Spirit”. No detail of STRANGELOVE’s presentation has been overlooked. The visual presentation with stage set pieces and in-show costume changes reflect different eras of Depeche Mode’s story, which spans four decades!
Truly evocative of a Depeche Mode arena/stadium stage show; the scale of STRANGELOVE’s theatrical stage production is unparalleled, save for the real article. Custom-produced multimedia projection visuals delight the concertgoer’s senses and enhance the illusion that they are witnessing an actual Depeche Mode concert.
These accomplished musicians have a reverence and devotion to Depeche Mode’s body of work that has driven them to recreate every “detail” and bring the “Music To The Masses” in a concert setting that transcends a mere tribute production and feels more like a shared communal fan club celebration of halcyon days of new wave and emerging electronica. Accuracy and authenticity are hallmarks of the project, with the band employing as many authentic vintage synthesizers and samplers as possible in recreating the classic and widely varied sounds of Depeche Mode’s discography.
CoCo Brown began as an advertising associate for Ringling Bros and Barnum & Bailey Circus and a writer for various sketch comedy shows proved confining for the 
dynamic performer. She honed her writing and creativity to pursue her dream of being astand-up comic. A decade later Brown has obviously mastered the art of comedy. She harnessed its essence and purpose, performing on top-rated comedy shows including BET’s “Comic View” and “One Mic Stand”, and “Showtime at the Apollo”.
Anthony Luewellyn, aka, Tony Tone says his bio, wasted little time displaying the multitude of abilities that would eventually make him one of the most well rounded and respected comics.
The comedian was the “Ring Master” (emcee) for Universoul Circus, aka, “Hip-Hop under the Big Top. The New York Times raved about Tony’s performance declaring, “he delivers ad libs…that a lesser professional would milk to hard. Upon Tony receiving a phone call from the show producer, and not only was he elated realizing this is a major task, he then later had an appointment with the CEO/President, Cedric Walker and the rest was history. With his years of experience, Tony realized that nothing would hold him captive.